Finding value in the damaged and the broken

If we can keep products in function for longer, then we lessen the impact on our planet

Transformative Repair is a research platform for investigating and cultivating new forms of creative repair practice among artists, designers, craftspeople and creative professionals.

We rarely repair and reuse objects these days, choosing instead to replace them with new and “better” versions. The significance of objects and the craft of repair have consequently lost their value in today’s world.

Finding value in the damaged and the broken

If we can keep products in function for longer, then we lessen the impact on our planet

Transformative Repair is a research platform for investigating and cultivating new forms of creative repair practice among artists, designers, craftspeople and creative professionals.

We rarely repair and reuse objects these days, choosing instead to replace them with new and “better” versions. The significance of objects and the craft of repair have consequently lost their value in today’s world.

Video on Transformative Design: Finding value in the damaged and the broken
Archaelogic Vase: Series 5, Guy Keulemans (2019). Photographed by Kristoffer Paulsen.
Video on Transformative Design: Finding value in the damaged and the broken
Archaelogic Vase: Series 5, Guy Keulemans (2019). Photographed by Kristoffer Paulsen.

About the project

Testing the viability of transformative repair in the market

Designing for sustainability using a transformative repair model is an Australian Research Council funded project with UniSA’s Guy Keulemans and UNSW’s Trent Jansen plus Partners Investigators Brian Parkes from JamFactory and Lisa Cahill from Australian Design Centre. The project will generate new knowledge in design-based repair and reuse of consumer products to develop a new community of craft and design practitioners, audience and clientele, in collaboration with leading Australian design and craft organisations.

It responds to the pressing cultural and environmental burden of product obsolescence and consumer waste through innovation in transformative repair – a designed reworking of broken or discarded consumer objects that transforms their aesthetic appeal and cultural value. It applies transition design theory to develop localised progressions of the transformative repair model to foster knowledge exchange between partner organisation while contributing to a sustainable design economy in Australia.

About the project

Testing the viability of trans formative repair in the market

Designing for sustainability using a transformative repair model is an Australian Research Council funded project with UniSA’s Guy Keulemans and UNSW’s Trent Jansen plus Partners Investigators Brian Parkes from JamFactory and Lisa Cahill from Australian Design Centre. The project will generate new knowledge in design-based repair and reuse of consumer products to develop a new community of craft and design practitioners, audience and clientele, in collaboration with leading Australian design and craft organisations.

It responds to the pressing cultural and environmental burden of product obsolescence and consumer waste through innovation in transformative repair – a designed reworking of broken or discarded consumer objects that transforms their aesthetic appeal and cultural value. It applies transition design theory to develop localised progressions of the transformative repair model to foster knowledge exchange between partner organisation while contributing to a sustainable design economy in Australia.

Lead Investigators

Lead Investigators

Guy Keulemans

Guy Keulemans

Guy Keulemans is a designer, artist and Enterprise Fellow at the University of South Australia. producing critical objects and processes informed by history, philosophy, sustainability theories and studio experimentation. Major themes are repair and reuse, generative processes, materials of design, and the environmental impacts of production and consumption. His current research is funded through an Australian Research Council Linkage Project as well as the SA Government’s Arts Recovery program.

Guy has a Masters in Humanitarian Design from the Design Academy Eindhoven and a PhD from the University of New South Wales’ Art & Design. He has exhibited in museums and galleries in the Netherlands, Germany, Austria, Poland, including ARS Electronica, the Marres Centre for Contemporary Culture, COCA Torun and Platform 21, and in Australia at significant museums and design and craft organisations, with four works in the permanent collection of the National Galley of Victoria. Guy was resident artist at JamFactory Contemporary Craft & Design Centre in Adelaide in 2015. He is represented in Australia by Gallery Sally Dan-Cuthbert and in 2021 was named a Top 100 Game Changer in Design by Architectural Digest Italia.

Trent Jansen

Trent Jansen

Trent Jansen is a designer based in Thirroul, Australia, and Lecturer at the University of New South Wales Art & Design, Sydney Australia. Jansen gained his PhD from the University of Wollongong under renowned Australian art historian Ian McLean, and his Bachelor of Design from the College of Fine Arts, University of New South Wales in Sydney. He spent part of his undergraduate degree in the Department of Art and Design at the University of Alberta in Edmonton, Canada.

Jansen applies his method of Design Anthropology to the design of limited edition and one-off pieces for clients including the Molonglo Group and Gallery Sally Dan-Cuthbert. This approach is also applied to the design of products and furniture for manufacturers Moooi, DesignByThem and Tait. Jansen was one of the co-founders of Broached Commissions and is represented by Broached Commissions for Broached in-house commissions. Jansen exhibits internationally with Gallery All and Galleria Rossana Orlandi.

Partner Investigators

Partner Investigators

Lisa Cahill

Lisa Cahill

Lisa Cahill has made a profound impact on the arts community through a range of leadership roles, specifically the design community in Sydney through her work as CEO and Artistic Director of the Australian Design Centre.

Prior to becoming involved with ADC, Lisa held senior government positions both locally and nationally at various arts and media organisations including the Australian Design Alliance, the Australia Council for the Arts, the City of Sydney, the Australian Broadcasting Authority and SBS. She has also worked as research consultant for the International Federation of Arts Councils and Culture Agencies, and as a curator on exhibitions in Japan and Australia.

Brian Parkes

Brian Parkes

Brian Parkes has been CEO at JamFactory in Adelaide since April 2010. He has overseen significant development of the organisation’s exhibition and training programs and substantial growth in its audience, income diversity and operational budget.

He is passionate about good design and fine craftsmanship and has worked in senior curatorial and commercial management roles in the visual art, craft and design sector in Australia for over 30 years.

Auctioneer

Auctioneer

Andrew Shapiro

Andrew Shapiro

Works created for Transformative Repair x ADC in 2022 were auctioned by Andrew Shapiro, managing director of Shapiro Auctioneers Australia. Mr Shapiro has a career that spans 40 years across the globe, beginning in 1984 when he joined Phillips New York, establishing a reputation as a leading specialist in 19th and 20th Century Fine and Decorative Arts before becoming senior vice-president. In 1990 he arrived in Australia and introduced auction sales for Phillips Australia. Shapiro Auctioneers has now confirmed its position in the auction industry as a leader in Australian and International Art, Aboriginal Art, 20/21 Century Design, Traditional Furniture and Decorative Art in particular English and European Silver and Objets d’vertu.

Transformative Repair Advisors

Transformative Repair Advisors

Gay Hawkins

Gay Hawkins

Gay Hawkins is a professor in social and cultural theory at the Institute for Culture and Society at Western Sydney University. She researches in the areas of science and technology studies and environmental humanities with a focus on media animals, waste, water and plastics. She has done research projects with SBS, the ABC, Sydney Water and many community organisations.

She is currently doing a project funded by the ARC on littering and urban habits. She is also working on a history of disposability. Some books include ‘Plastic Water: the social and material life of bottled water’ co-authored with Kane Race and Emily Potter (MIT 2015), ‘The Ethics of Waste’ (Rowman and Littlefield, 2006) and ‘The SBS Story’ co-authored with Ien Ang and Lamia Dabboussy (UNSW Press 2008).

Liane Rossler

Liane Rossler

Liane Rossler is an artist, designer and curator who has worked in creative industries for over thirty years, and has spent the last fifteen years focused on projects that intersect art, design and the environment.

Alongside her solo creative practices, she is founder of Superlocalstudio, which inspires collaborative, socially engaged cultural and creative projects for diverse audiences. Liane was co-founder, former designer and director of Dinosaur Designs for twenty five years.

Joanna van der Zanden

Joanna van der Zanden

Joanna van der Zanden works as an independent curator and initiator of cross-disciplinary socially engaged arts and design projects. She is particularly interested in the exploration of cultural formats where the public at large gets involved in the process of research, questioning and making. It is her view that contemporary cultural centres should – at the best – function as catalysts to stimulate critical and creative thinking and making and enlarge time and space for experimentation and reflection. Especially in these times of paradigm shift, we need to re-educate each other and find new common grounds. Recurrent themes are repair (initiator and co-editor of the Repair Manifesto), waste and happiness.